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    <title>The Bobski Blog - Ski Coaching</title>
    <link>http://www.bobski.com/blog/</link>
    <description>Skiing, Ski Coaching and Ski Instruction Blog </description>
    <dc:language>en</dc:language>
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    <pubDate>Thu, 26 Jun 2008 15:35:18 GMT</pubDate>

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        <title>RSS: The Bobski Blog - Ski Coaching - Skiing, Ski Coaching and Ski Instruction Blog </title>
        <link>http://www.bobski.com/blog/</link>
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<item>
    <title>Parallel skiing and stuff</title>
    <link>http://www.bobski.com/blog/archives/20-Parallel-skiing-and-stuff.html</link>
            <category>Ski Coaching</category>
    
    <comments>http://www.bobski.com/blog/archives/20-Parallel-skiing-and-stuff.html#comments</comments>
    <wfw:comment>http://www.bobski.com/blog/wfwcomment.php?cid=20</wfw:comment>

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    <author>nospam@example.com (Bob Valentine Trueman)</author>
    <content:encoded>
    &lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;There is an interesting conversation going on in the &amp;quot;comments&amp;quot; section of the &amp;quot;Ski Coaching&amp;quot; category, much of it relating to whether or not skis really &lt;em&gt;can&lt;/em&gt; be skied truly parallel. There is a mixture of enlightenment and confusion. If skiing interests you, you could do worse than take a look.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;Georgia&quot; size=&quot;3&quot;&gt;In reply to David&#039;s comment (no.9) I&#039;d say that what John Shedden so wisely observed about the skis, after the initiation of the change of direction, having to respond to centripetal (and presumably other) forces, then perhaps the forces on the inner and outer skis are different. &lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;Georgia&quot; size=&quot;3&quot;&gt;We might expect them to be, whether or not the two arcs were congruently centred, but certainly so if they are because the &amp;quot;moment arms&amp;quot; will be different. I think. Perhaps!. &lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;Georgia&quot; size=&quot;3&quot;&gt;If this is the case, and if the force on the inner ski were to be automatically more than that on the outer ski because of its tighter radius, then it would bend more. In that instance it would then perhaps be able to describe an arc parallel to the outer one, which at the same time could have its centre point the same as the outer ski.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;Georgia&quot; size=&quot;3&quot;&gt;What do you think? What do our resident physicist suggest? Is there anybody there? Knock three times for yes.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;Georgia&quot; size=&quot;3&quot;&gt;Bob&lt;/font&gt;&lt;/p&gt; 
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    <pubDate>Thu, 26 Jun 2008 08:35:18 -0700</pubDate>
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<item>
    <title>Parallelism</title>
    <link>http://www.bobski.com/blog/archives/19-Parallelism.html</link>
            <category>Ski Coaching</category>
    
    <comments>http://www.bobski.com/blog/archives/19-Parallelism.html#comments</comments>
    <wfw:comment>http://www.bobski.com/blog/wfwcomment.php?cid=19</wfw:comment>

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    <author>nospam@example.com (Bob Valentine Trueman)</author>
    <content:encoded>
    &lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;In very minor response to John Shedden&#039;s post, [ it&#039;s immediately below and you really should take a look ] the only thing I have to say that might be worth listening to is that the skis&#039; parallelism would not I think be related to the shape-outcome of the arc; not at any rate if the timing, the rate, and the amplitude of the skis&#039; tilting and other responses were the same as one another.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;Georgia&quot; size=&quot;3&quot;&gt;Does this make any sense? If I&#039;m not careful I might get so far up my bum that I won&#039;t be able to get out and ski!&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;Georgia&quot; size=&quot;3&quot;&gt;Bob&lt;/font&gt;&lt;/p&gt; 
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    <pubDate>Mon, 23 Jun 2008 01:58:51 -0700</pubDate>
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<item>
    <title>Parallel skiing revisited again, but this time by the master.</title>
    <link>http://www.bobski.com/blog/archives/18-Parallel-skiing-revisited-again,-but-this-time-by-the-master..html</link>
            <category>Ski Coaching</category>
    
    <comments>http://www.bobski.com/blog/archives/18-Parallel-skiing-revisited-again,-but-this-time-by-the-master..html#comments</comments>
    <wfw:comment>http://www.bobski.com/blog/wfwcomment.php?cid=18</wfw:comment>

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    <author>nospam@example.com (Bob Valentine Trueman)</author>
    <content:encoded>
    &lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font style=&quot;FONT: 11px Lucida Grande&quot; face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;I have just received an email from John Shedden in response to our discussion on parallel skiing and whether or not it is possible. John has had a bit of a problem getting this post to load, so I have simply attached his commens in full to this post.&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;If YOU are having any similar difficulty please just email me at&lt;/font&gt; &lt;a href=&quot;mailto:bobski@bobski.com&quot;&gt;bobski@bobski.com&lt;/a&gt; &lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font style=&quot;FONT: 11px Lucida Grande&quot; face=&quot;Lucida Grande&quot; size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font style=&quot;FONT: 11px Lucida Grande&quot; face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font face=&quot;Georgia&quot;&gt;From John,&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font style=&quot;FONT: 11px Lucida Grande&quot; face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font style=&quot;FONT: 11px Lucida Grande&quot; face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;Could that be m(wsquared)     divided by r ?&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MIN-HEIGHT: 13px; MARGIN: 0px; FONT: 11px &#039;Lucida Grande&#039;&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot;&gt;&lt;br /&gt;&lt;font size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font style=&quot;FONT: 11px Lucida Grande&quot; face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;We talk about circles for ease of conversation but What if the arcs are not circular but some other conic section?  Or even perhaps made up of several different sections of conic sections.&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MIN-HEIGHT: 13px; MARGIN: 0px; FONT: 11px &#039;Lucida Grande&#039;&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font style=&quot;f”Ãwpt9: 11.0px Lucida Grande&quot; face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font style=&quot;f”Ãwpt9: 11.0px Lucida Grande&quot; face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;The arcs do have different &amp;quot;centres&amp;quot; if the legs are working independently of each other as each arc relates to each leg..or?&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MIN-HEIGHT: 13px; MARGIN: 0px; FONT: 11px &#039;Lucida Grande&#039;&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot;&gt;&lt;br /&gt;&lt;font size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font style=&quot;FONT: 11px Lucida Grande&quot; face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;Perhaps  so called parallel skiing is vastly overrated as the only thing the skier has (more or less) complete control over is the INITIATION of the change of direction.  This is the focus of most peoples attention when learning and the rest of the &#039;turn&#039; is subject to a variety of forces to which the skier will respond.  &lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MIN-HEIGHT: 13px; MARGIN: 0px; FONT: 11px &#039;Lucida Grande&#039;&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot;&gt;&lt;br /&gt;&lt;font size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font style=&quot;FONT: 11px Lucida Grande&quot; face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;Parallel &#039;starting&#039; might be better named as simultaneous &#039;edge change&#039; - (or as I might call it, simultaneous tilting. Bob ) - the initiation phase --followed by the reactive / steering phase - until the next initiation phase.&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MIN-HEIGHT: 13px; MARGIN: 0px; FONT: 11px &#039;Lucida Grande&#039;&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot;&gt;&lt;br /&gt;&lt;font size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font style=&quot;FONT: 11px Lucida Grande&quot; face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;I can&#039;t speak for anyone else but when I steer my skis, even when I&#039;m carving, I travel along curving &#039;pathways&#039; which often change shape during a single &#039;arc&#039; - if that isn&#039;t a contradiction in terms.&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px; FONT: 11px &#039;Lucida Grande&#039;&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot;&gt;&lt;br /&gt;&lt;font size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style=&quot;MARGIN: 0px&quot;&gt;&lt;font style=&quot;FONT: 11px Lucida Grande&quot; face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;I supose what I&#039;m saying is that we TALK about, &amp;quot;arcs&amp;quot; and &amp;quot;radii&amp;quot; etc because it makes conversation possible but theose words are just shorthand for more complex things going on . . we shouldn&#039;t believe everything we say!!&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot;&gt;&lt;br /&gt;&lt;font size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot;&gt;&lt;br /&gt;&lt;font size=&quot;3&quot;&gt;&lt;/font&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;Very best regards,&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;John&lt;/font&gt;&lt;/div&gt; 
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    <pubDate>Mon, 23 Jun 2008 01:50:25 -0700</pubDate>
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</item>
<item>
    <title>Parallel skiing revisited</title>
    <link>http://www.bobski.com/blog/archives/14-Parallel-skiing-revisited.html</link>
            <category>Ski Coaching</category>
    
    <comments>http://www.bobski.com/blog/archives/14-Parallel-skiing-revisited.html#comments</comments>
    <wfw:comment>http://www.bobski.com/blog/wfwcomment.php?cid=14</wfw:comment>

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    <author>nospam@example.com (Bob Valentine Trueman)</author>
    <content:encoded>
    &lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;There is some discussion as to whether or not skis CAN be skied truly parallel, whilst making arcs.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;IF they can, then the circles, the segments of which are being described in the snow by the skis, MUST be concentric. If those circles are not concentric then the skis can only be parallel at one infinitessimally small point. At two points on the circles they describe, the lines they are drawing will cross. This means the lines are approaching and diverging from one another. Clearly then, they are not parallel. The skis would then cross, as would the skier&#039;s legs and the result is not pleasant to contemplate.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;If you wish to test this you can, very simply and without complex physics being involved. The skis can only describe circles of either the same or different radii.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;&lt;u&gt;Example 1:&lt;/u&gt; Same radius. If the two circles being described are the same radius, then either they will be concentric or not. If concentric there will only be one line drawn in the snow and since there are two skis that is not possible. So - if the radii of the two circles are the same, then the circles must be centred on different points.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;Their circumferences cannot then be parallel. All you need in order to prove this to yourself is to take a set of compasses, (or in their absence a circular saucer or even a coffee cup), and draw two circles of matching radius, centred on two different, albeit nearby points. You will see that the circles cross one another twice. Therefore their circumferences are not parallel.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot;&gt;&lt;font size=&quot;3&quot;&gt;&lt;u&gt;Example 2:&lt;/u&gt; Now consider two circles of slightly different radii. The only circumstance in which their circumferences can be parallel is if they are concentric.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;IF ( and it may be big &amp;quot;IF&amp;quot; ) truly parallel arcs &lt;em&gt;can&lt;/em&gt; be described by two skis acting simultaneously, then whatever the physical influences at work are, the inner ski must be reacting differently to the outer ski. Skis can only bend, tilt (with or without torsional distortion), or pivot. &lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;Bending and tilting combined can lead to &amp;quot;carving&amp;quot;. Pivoting leads to skidding, as does torsional distortion.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;I have no idea whether true, absolutely exact parallel skiing is possible, but it seems  clear to me, that if it is, it can only be done with arcs which are part of concentric circles.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;So - either it &lt;em&gt;is&lt;/em&gt; possible and the inner and outer skis are being separately influenced by the external forces; &lt;em&gt;or&lt;/em&gt; the external forces are equalised between the two skis, and while &amp;quot;parallel&amp;quot; skiing may APPEAR to be happening, that is a mistaken perception resulting from not being able to watch and measure sufficient of the circumference of the circles being described.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;Bob Trueman&lt;/font&gt;&lt;/p&gt; 
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    <pubDate>Fri, 16 May 2008 03:48:07 -0700</pubDate>
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<item>
    <title>Is parallel skiing possible?</title>
    <link>http://www.bobski.com/blog/archives/12-Is-parallel-skiing-possible.html</link>
            <category>Ski Coaching</category>
    
    <comments>http://www.bobski.com/blog/archives/12-Is-parallel-skiing-possible.html#comments</comments>
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    <author>nospam@example.com (Bob Valentine Trueman)</author>
    <content:encoded>
    &lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;My fellow coach Dave Tapley reported to me that one or two skiing blogs have recently been filled with discussion about the true nature of &amp;quot;parallel&amp;quot; skiing and the perplexing questions that arise once you start thinking in depth about it. &lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;The discussion hinges on whether or not &amp;quot;parallel&amp;quot; skiing is actually possible. Dave quoted his own observation that when you are &amp;quot;carving&amp;quot; perfectly you can inspect your skis&#039; tracks and they look to be perfectly parallel. However, they are not drawing the same radius arcs (part-circles).&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;So, After some thought I wrote to a pupil and friend of mine,  physicist Tony York. Here is the e-mail like what I wrote.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;em&gt;Let&#039;s say we have a skier effecting an arc, a perfectly &amp;quot;carved&amp;quot; arc - an arc during which both skis slide perfectly (no skid) -and let&#039;s say that his skis are parallel to one another all the way round that arc.&lt;/em&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;em&gt;For this to happen, the inner ski must perforce travel a shorter distance than the outer ski.  For this to happen without skidding, the inner ski must either, tilt more, or bend more, or a combination of both. Were this not to be the case, they would necessarily be describing segments of arcs of non-concentric circles.&lt;/em&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;em&gt;To bend more it would need to be receiving greater centripetal force, which we know would be very unstable for the skier, so optimally no more than 50% of the force should be being resisted by the inner ski. Unless - I wonder - being nearer to the circle&#039;s centre it inevitably receives more force ? ? &lt;/em&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;em&gt;Even in this scenario, the inner ski must be tilted slightly more than the outer ski, or it would skid. This is because were it to be tilted to the same degree it would be describing a circle of the same diameter as the outer, but in a different location - they would not be concentric; and if you draw this out on a piece of paper it becomes obvious that the two circles must cross (twice) which thereby denies the &amp;quot;parallel&amp;quot; requirement of this experiment.&lt;/em&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;em&gt;Now, there is plenty enough bio-mechanical movement in the hips and ankles to permit this variation, but here a little confusion arises in my mind ( which is rather unusual  -  because usually there is a &lt;strong&gt;lot&lt;/strong&gt; of confusion in my mind; I must do this again!).&lt;/em&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;em&gt;There will be one aggregate centre of mass for the skier, supported against the centripetal force by two platforms.  Here then is where my confusion arises.&lt;/em&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;em&gt;Where, precisely is the centripetal force&#039;s own centre of origin? Or is this a daft question?  Is there, for example, just one centre of centripetal force, or since there are two platforms, are there also two centres of this force? After considering this I feel there must be two, because each ski (platform) is resisting a force, and I feel that this necessitates having two forces, coming from two slightly different directions. This being the case, then there are two reasons for the inner ski to tilt more - 1) in order to present a platform at 90 degrees to the force, and 2) in order to enable the ski to slide perfectly around a circle of smaller radius.&lt;/em&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;em&gt;But if this is so, then if you followed the directional lines of these forces (or this force) from whence do they emanate? Is it for example on the snow&#039;s surface? Or precisely at the interface between the platform and supporting surface? Or - does it emanate from somewhere else, underground? And if so, how far away/down?&lt;/em&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;em&gt;I think it must be at the interface only, which is where the force and the resistance meet. Am I right? After all ( I conjecture) unless there is resistance, there will be no centripetal force - in effect they are one and the same???? Without the one, you cannot have the other.&lt;/em&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;em&gt;Bob&lt;/em&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;&lt;em&gt;PS - It&#039;s just occurred to me that the bend in the ski is created at least in part by a force from ahead of it, acting on the shovel through a couple between the shovel and the ski&#039;s centre. The shorter the radius of the circle being followed for any given tangential speed, wouldn&#039;t the force be inevitably greater? So might we not get more bend anyway even though the skier&#039;s mass was being equally distributed between the two skis?&lt;/em&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;Tony, after considerable cogitation answered as follows, and I&#039;m very grateful to him. &lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; size=&quot;3&quot;&gt;OK, (he said) &lt;font face=&quot;arial,helvetica,sans-serif&quot;&gt;&lt;em&gt;here are my thoughts so far&lt;/em&gt;&lt;/font&gt;:&lt;br /&gt; &lt;br /&gt;&lt;font face=&quot;arial,helvetica,sans-serif&quot;&gt;&lt;em&gt;Since the skis are going round curves of different radii, and are therefore travelling at different speeds, it is mathematically easier to say they are both moving with the same angular velocity (ie they would both take the same time to complete a full circle).  The expression for the force is then mw&lt;sup&gt;2&lt;/sup&gt;r (m is mass, w is angular velocity, r is radius).  Because r is greater for the outside ski, there will be more force, which is what the skier needs, in order to be stable.&lt;br /&gt; &lt;br /&gt;So far so good - but then how do the skis provide this force?  If the outer one is producing more of the centripetal force, and they are both at the same angle, it will bend more, making it impossible for both skis to be &amp;quot;carving&amp;quot;, as the inner one is following a tighter curve.  If the inner one is tilted more, perhaps it could be describing a tighter arc, but be bent less, consistent with it producing less force.  I should stop now while I&#039;m ahead, but I have a horrible feeling that if you look at a still photo of a racer in a turn, the outside ski is tilted more!&lt;/em&gt; &lt;font face=&quot;georgia,times new roman,times,serif&quot;&gt;(Yes, but you&#039;ll usually see that the inner ski is all but &amp;quot;floating&amp;quot; and is not actually carving, even though that&#039;s what they would like. Bob)&lt;/font&gt;&lt;br /&gt;&lt;em&gt; &lt;br /&gt;The bending of the ski is a result of the snow pushing against it, but that won&#039;t be simple either.  Even in the simplest imaginable scenario of the same force from the snow against each cm of the ski, the front of the ski will have more bending moment, as it is longer than the tail.  Whether this leads to more actual bending depends on the stiffness of the ski, which varies along the ski in a very complex manner, I would imagine.&lt;br /&gt; &lt;br /&gt;As implicit in last para, as far as the ski is concerned the force comes from the snow immediately in contact with it, but that snow is in turn supported by the snow beneath it, which is in turn supported by the ground beneath it.  This is of course why the skier sinks deeper into powder before there is enough force generated to support him/her.&lt;br /&gt; &lt;br /&gt;I don&#039;t think the idea of a &amp;quot;centre of centripetal force&amp;quot; is useful.  The vector sum of all the forces from both skis must pass through the centre of mass of the skier and be directed towards the centre of the circle in which he/she is travelling.  One also needs to be careful in talking about reaction forces.  This vector sum is effectively a single force acting on the skier.  There is no sense in which the skier is in equilibrium; he/she is being continually accelerated towards the centre of the circle.&lt;br /&gt; &lt;br /&gt;God knows how ski designers do the business, &amp;amp; God knows how any of us can actually get the skis to do what we want (sometimes).  I should probably stick to making furniture or high energy nuclear physics; that would be simpler.&lt;/em&gt;&lt;/font&gt; &lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;Georgia&quot; size=&quot;3&quot;&gt;I am very grateful to Tony for his observations, and if anyone wants to join in, then please do so; it won&#039;t make anybody&#039;s skiing any better, but it keeps the old grey matter from atrophying any more quickly than is necessary! And it sure as Hell beats &amp;quot;doing turns!&amp;quot;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face=&quot;Georgia&quot; size=&quot;3&quot;&gt;Bob Valentine Trueman&lt;/font&gt;&lt;/p&gt;&lt;p /&gt; 
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    <pubDate>Mon, 12 May 2008 04:45:54 -0700</pubDate>
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    <title>Watch your language</title>
    <link>http://www.bobski.com/blog/archives/6-Watch-your-language.html</link>
            <category>Ski Coaching</category>
    
    <comments>http://www.bobski.com/blog/archives/6-Watch-your-language.html#comments</comments>
    <wfw:comment>http://www.bobski.com/blog/wfwcomment.php?cid=6</wfw:comment>

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    <author>nospam@example.com (Bob Valentine Trueman)</author>
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    &lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;Sounds a little impolite that - &amp;quot;watch your language&amp;quot; but it was just to get your attention, and to illustrate that the words you choose will have very different effects on your reader, or listener.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;Human beings are tribal, and a feature of all tribes is that they have a language which is exclusive to them, and often is designed to be exclusive of non-members.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;A good example of this is the street language of adolescents - all that &amp;quot;I&#039;m like, Doh!&amp;quot; stuff; and &amp;quot;radical man&amp;quot;, and much more that I can neither comprehend nor remember.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;Of interest to me is the ski instructor tribe. This tribe also has a language of its own, which is readily bought into especially by younger trainees and instructors, and those new to the activity. Its use is one of the ways that a great many ski teachers can help themselves to feel that they are a part of the group.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;Unfortunately, an unintended side effect is that your client, your pupil, is excluded in the process, because (s)he is not privy to the secret meanings attached to the words and phrases.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;Let me give you an example - take the word &amp;quot;edge&amp;quot;. This is one of the commonest words in the ski instructor&#039;s lexicon, and one of the least efficacious. It is often employed in totally meaningless phrases dreamt up by the marketing departments of the manufacturers of skis. A classic example is the &amp;quot;&lt;em&gt;this ski is faster edge-to-edge than that ski&amp;quot;&lt;/em&gt;.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;What in Heaven&#039;s name is this supposed to convey? Here is a short list of some of the things it does not define :-&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;1. It doesn&#039;t define what an &amp;quot;edge&amp;quot; is, in this context.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;2. It doesn&#039;t define when a ski is &lt;u&gt;on&lt;/u&gt; an &amp;quot;edge&amp;quot; and when it isn&#039;t.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;3. It in no way illustrates what is required to get the ski to move from one edge to another, nor why it is perceived to take less time to do this than on any other ski.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;I could go on, but I&#039;ll leave it there.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;Does it perhaps mean, &amp;quot;this ski is easy to get to change direction&amp;quot;? And if that is what is intended to be conveyed, why not say so? Because that wouldn&#039;t be tribal, exclusive, and sound &amp;quot;cool&amp;quot; would it?&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;One of the essential precepts of Neuro Linguistic Programming, with respect to communication, is that the only mechanism humans have for conveying ideas from one mind to another&#039;s mind, is words.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;The process goes something like this - I formulate an idea in my mind; I then have to search for words - and a structure for those words - which within the framework of my experience, I believe expresses my idea.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;I then utter those words, which are picked up by my intended recipient, who first of all runs those words through a kind of database in his/her mind and via some form of cross referencing retrieves their meanings for those words, which when assembled in the order that I gave them, builds an idea in their mind.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;During this process there are manifold opportunities for omissions, distortions, and deletions. You can see, I&#039;m sure, that the chances of the two ideas being congruent are minimal indeed, even at the best of times. The potential for misunderstandings is so huge that it is a wonder any of us can communicate at all with anyone else. Perhaps we don&#039;t! &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;N.L.P. tells us that words are merely labels for experiences. For example when I see a colour, which I know as blue, I give it the label &amp;quot;blue&amp;quot;. You also have a label called &amp;quot;blue&amp;quot; and you apply it to the colour which &lt;em&gt;you&lt;/em&gt; have become accustomed to apply this label to. But is the colour you see, the colour that I am seeing? We can never know. The colour that you are seeing, when I see it, I perhaps give the label &amp;quot;red&amp;quot; to.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;I might be seeing the colour which you call &amp;quot;red&amp;quot; but I have become accustomed to labelling it &amp;quot;blue&amp;quot;. I saw an hilarious example of this once, when I met a gun dog trainer who had trained his dog to do the opposite of every instruction he gave him. When he said &amp;quot;sit&amp;quot; it stood up; when he said &amp;quot;away&amp;quot; it came back; and so on. The instructions were the same, but their labels were reversed, to the watching throng &amp;quot;sit&amp;quot; meant one thing, but to the dog, another.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;Now let&#039;s just revisit that word &amp;quot;edge&amp;quot;. If you are ski instructor, then you know perfectly well what &lt;strong&gt;you &lt;/strong&gt;mean by &amp;quot;edge&amp;quot;, and the idea doesn&#039;t bother you at all; in fact as an instructor and excellent skier you might even like it. But how many other people like edges? Not many.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;To most people, edges are narrow, sharp, unpleasant, easy to fall off, and associated with knives and things; altogether to be avoided. And here are you telling them to &amp;quot;get an early edge&amp;quot;; &amp;quot;get the ski on the edge&amp;quot; (without you will note, advising them on what to do to achieve this).&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font size=&quot;2&quot;&gt;&lt;font face=&quot;georgia,times new roman,times,serif&quot; color=&quot;#000000&quot;&gt;What I&#039;m saying is this - if you want to communicate with others, and especially with pupils who are not members of&lt;span&gt;  &lt;/span&gt;your tribe - pay attention to their likely experience of skiing; to their possible perceptions about the labels you use; and do your best to keep the jargon out of it.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font face=&quot;Georgia&quot; color=&quot;#000000&quot; size=&quot;2&quot;&gt;Bob Valentine Trueman&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font face=&quot;Georgia&quot; color=&quot;#000000&quot; size=&quot;2&quot;&gt;&lt;a href=&quot;http://www.bobski.com/&quot;&gt;www.bobski.com&lt;/a&gt; / &lt;a href=&quot;http://www.blogstoday.co.uk/LimitstoGrowth&quot;&gt;www.blogstoday.co.uk&lt;/a&gt; (Search for Limits to Growth)&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;font face=&quot;Georgia&quot; color=&quot;#000000&quot; size=&quot;2&quot;&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; 
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    <pubDate>Fri, 11 Apr 2008 06:02:10 -0700</pubDate>
    <guid isPermaLink="false">http://www.bobski.com/blog/archives/6-guid.html</guid>
    
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